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A SOLO EXHIBITION
BY HEATHER NODDINGS
An impossible object is a two-dimensional figure which is instantly and subconsciously interpreted by the visual system as representing a projection of a three-dimensional object. The show Impossible Objects creates this implied dimension on flat planes and explores a reality where these two-dimensional figures exist in three-dimensions.

CONTOUR SERIES

CUT BIRCH PLYWOOD PANELS

IMPOSSIBLE SQUARE

SIZE: 31.75” x 32.75”
MEDIUM: BIRCH PLYWOOD
YEAR: 2020

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IMPOSSIBLE STEPS

SIZE: 36” x 26.85”
MEDIUM: BIRCH PLYWOOD
YEAR: 2020

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IMPOSSIBLE TRIANGLE

SIZE: 36.75” x 32.25”
MEDIUM: BIRCH PLYWOOD
YEAR: 2020

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IMPOSSIBLE PRONGS

SIZE: 36.25” x 18.25”
MEDIUM: BIRCH PLYWOOD
YEAR: 2020

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2D / 3D PANEL SERIES

BIRCH PLYWOOD PANELS WITH RECESSED DESIGN


2D / 3D SQUARE

SIZE: 46” x 46”
MEDIUM: BIRCH PLYWOOD & ACRYLIC
YEAR: 2020

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2D / 3D CIRCLE

SIZE: 46” x 46”
MEDIUM: BIRCH PLYWOOD & ACRYLIC
YEAR: 2020

SOLD

2D / 3D TRIANGLE

SIZE: 47” x 40.7”
MEDIUM: BIRCH PLYWOOD & ACRYLIC
YEAR: 2020

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GOLD SERIES

LASERCUT BIRCH PANELS WITH APPLIED METAL LEAF

LARGE DIAMONDS

SIZE: 22.25” x 19.25”
MEDIUM: BIRCH PLYWOOD & METAL LEAF
YEAR: 2020

NFS

SMALL DIAMONDS

SIZE: 22.25” x 19.25”
MEDIUM: BIRCH PLYWOOD & METAL LEAF
YEAR: 2020

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LARGE CIRCLES

SIZE: 22.25” x 19.25”
MEDIUM: BIRCH PLYWOOD & METAL LEAF
YEAR: 2020

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SMALL CIRCLES

SIZE: 22.25” x 19.25”
MEDIUM: BIRCH PLYWOOD & METAL LEAF
YEAR: 2020

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PAINTINGS

ACRYLIC ON CANVAS

IMPOSSIBLE KNOT
SIZE: 72” x 60” (DIPTYCH TOTAL)
MEDIUM: ACRYLIC ON CANVAS

YEAR: 2020

SOLD

ABOUT THE SHOW


An impossible object is a two-dimensional figure which is instantly and subconsciously interpreted by the visual system as representing a projection of a three-dimensional object. The show Impossible Objects creates this implied dimension on flat planes and explores a reality where these two-dimensional figures exist in three-dimensions.


ABOUT THE ARTIST


Heather Noddings work focuses on the intersection of technical and natural, often consisting of mathematically precise designs with hand-applied details. Her work gives the viewer the impression of movement with flashing and vibrating patterns, which aim to push and pull the brain to perceive the works in different and unexpected ways.

Her background in experiential design influences her personal practice of art by providing a study in how individuals interact with spaces and objects.